Selected Exhibitions
Creative Machine, Goldsmiths, London, 2022
FILE Festival, Centro Cultural Fiesp, São Paolo, 2022
Reflections in the Water, Feral File, Online, 2021
the depot_ digs, the depot_, London, 2021
thereafter.hiatus, one gee in fog, Geneva, 2020.
CCI Inaugural Exhibition, Creative Computing Institute, Camberwell College of Art, London, 2020.
AI Art Gallery, NeurIPS 2019, Vancouver, 2019.
ICCV Computer Vision Art Gallery, COEX Convention Center, Seoul, 2019.
Science Fiction - A Journey into the Unknown, Kunsthal, Rotterdam, 2019.
Into the Unknown, Brandts Museum of Art & Visual Culture, Odense, 2018-19.
IAM, Garage Museum of Contemporary Art, Moscow, 2018.
Counting The Waves, Bard Hessel Museum, New York, 2018.
Science Fiction: A Journey into the Unknown, Onassis Cultural Centre, Athens, 2017-18.
All these Moments will be lost in Time like Tears in Rain, FMAC, Geneva, 2017.
Ars Electronica Festival, Ars Electronica, Linz, 2017.
Into the Unknown: A Journey through Science Fiction, The Barbican, London, 2017.
Why Future Still Needs Us: AI and Humanity, Art Center Nabi, Seoul, 2016.
Robot Vision Party, The Photographers Gallery, London, 2016.
Dreamlands: Immersive Cinema and Art, 1905–2016, Whitney Museum of American Art, New York 2016-17.
Publications
Active Divergence with Generative Deep Learning — A Survey and Taxonomy, International Conference on Computational Creativity 2021.
Automating Generative Deep Learning for Artistic Purposes: Challenges and Opportunities, International Conference on Computational Creativity 2021.
Network Bending: Expressive Manipulation of Deep Generative Models, 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMusArt), 2021.
Amplifying The Uncanny, 8th Conference on Computation, Communication, Aesthetics & X (xCoAx), 2020.
Searching for an (un)stable equilibrium: experiments in training generative models without data, NeurIPS Workshop on Machine Learning for Creativity and Design 3.0, 2019.
Autoencoding Blade Runner: Reconstructing films with artificial neural networks, SIGGRAPH ‘17 Art Papers (Leonardo, Vol. 50, No. 4), 2017.
Autoencoding Video Frames, Masters Thesis, Goldsmiths, 2016.
Light Field Completion Using Focal Stack Propagation, SIGGRAPH ‘16 Posters, 2016.
Awards and honours
Grand prize, ICCV 2019 Computer Vision Art Gallery, 2019.
Recognition of outstanding peer review, Leonardo (MIT Press), 2019.
Honorary Mention, Prix Ars Electronica (Computer Animation / Film / VFX), 2017.
Best Masters Thesis (Msci Creative Computing), Goldsmiths, University of London, 2016.
Funding and grants
EPSRC Doctoral Scholarship for Intelligent Games and Games Intelligence, 2018-22.
Eliahou Dangoor Scholarship, 2012.
Collections
Collection FMAC, 2017.
Screenings
Besides The Screen: Graphic Intelligences & Algorithmic Fictions, Museum of Image and Sound, São Paulo, 2019.
Impakt Festival, Impakt Center, Utrecht, 2018.
Its origins are indeterminate, Whitechapel Gallery, London, 2018.
Ars Electronica Animation Festival, Linz, 2017.
Dreamlands: Immersive Cinema and Art Film Program, Whitney Museum of American Art, New York, 2017
Pluk De Nacht, Amsterdam, 2016.
PANDO@EnclaveLab, Enclave Gallery, London, 2016.
Talks
IGGI Conference, University of York, 2019.
SIGGRAPH’17 Art Papers Track, Los Angeles Convention Centre, 2017.
Cambridge Coding Academy, London 2016.
Re Work Deep Learning Summit, London 2016.
Creative AI Meetup #1, Google Campus, London 2016.
PANDO, Enclave Gallery, London, 2016.
Selected Press
Cueva Gallery, Interview, 2020.
From The Edge, Feature, 2018.
Motherboard, Interview, 2017.
New Scientist, Review, 2017.
The Independent, Interview, 2017.
The Art Newspaper, Feature, 2017.
The New York Times, Review, 2016.
The Wall Street Journal, Review, 2016.
AQNB, Feature, 2016.
CBC, Interview, 2016.
Le Monde, Feature, 2016.
Vox, Feature, 2016.
TechCrunch, Feature, 2014.